Andrés Jaque, Phd Architect (ETSAM), is Dean of Columbia University Graduate School of Architecture, Planning and Preservation. Jaque is the founder of the Office for Political Innovation, an architectural practice based in New York and Madrid, Spain, and has been teaching advanced design studios at Columbia GSAPP since 2013. His architectural work includes ‘Plasencia Clergy House’, ‘House in Never Never Land’, ‘TUPPER HOME’, ‘ESCARAVOX’ or ‘COSMO, MoMA PS1’. The Office for Political Innovation has been awarded with the SILVER LION to the Best Research Project at the 14th Venice Biennale, the Dionisio Hernández Gil Award, London Design Museum’s Designs of the Year Selection, Mies van der Rohe Award (finalist) and Architectural Record’s Designers of the Year Selection.
Their publications include PHANTOM. Mies as Rendered Society, Different Kinds of Water Pouring into a Swimming Pool, Dulces Arenas Cotidianas or Everyday Politics; and their work has being included in the most important media, including A+U, Bauwelt, Domus, El Croquis, The Architectural Review, Volume or The New York Times; and exhibited at the Museum of Modern Art MoMA, London Design Museum, MAK in Vienna, Tel Aviv Museum of Art, RED CAT Cal Arts Contemporary Art Center in Los Angeles, Z33 in Hasselt, Schweizerisches Architektur Museum in Basel, the Cité de l’Architecture et du Patrimoine de Paris, the Hellerau Festspielhaus in Dresden, Princeton University SoA.
Their project ‘IKEA Disobedients’ is the first architectural performance ever included in the collection of the Museum of Modern Art, MoMA, and it is part of a series of architectural experiments intended to explore design from the perspective of postfoundational politics: ‘Sweet Urbanism’ –MAK Vienna 2013-, ‘SUPERPOWERS OF TEN’ -Chicago Architecture Biennial 2015 and Lisbon Architecture Triennale 2013-, ‘Different Kinds of Water Pouring into a Swimming Pool’ -RED CAT CalArts Center for Contemporary Arts, Los Angeles 2013-, ‘Hänsel & Gretel’s Arenas’ -La Casa Encendida, Madrid 2012-, ‘PHANTOM. Mies as Rendered Society’-Mies van der Rohe Pavilion, Barcelona 2012-, ‘SWEET PARLIAMENT HOME’ -Gwangju Biennale, South Korea 2010-, ‘Skin Gardens’ –BAC Barcelona 2009- or ‘FRAY HOME HOME’ -Biennale di Venezia 2010-.
Their project ‘IKEA Disobedients’ is the first architectural performance ever included in the collection of the Museum of Modern Art, MoMA, and it is part of a series of architectural experiments intended to explore design from the perspective of postfoundational politics: ‘Sweet Urbanism’ –MAK Vienna 2013-, ‘SUPERPOWERS OF TEN’ -Chicago Architecture Biennial 2015 and Lisbon Architecture Triennale 2013-, ‘Different Kinds of Water Pouring into a Swimming Pool’ -RED CAT CalArts Center for Contemporary Arts, Los Angeles 2013-, ‘Hänsel & Gretel’s Arenas’ -La Casa Encendida, Madrid 2012-, ‘PHANTOM. Mies as Rendered Society’-Mies van der Rohe Pavilion, Barcelona 2012-, ‘SWEET PARLIAMENT HOME’ -Gwangju Biennale, South Korea 2010-, ‘Skin Gardens’ –BAC Barcelona 2009- or ‘FRAY HOME HOME’ -Biennale di Venezia 2010-.