The 2022 Fitch Colloquium critically examined how Chinese architects are engaging with preservation to imagine new forms of creativity and cultural relevance. The event was organized by the Historic Preservation Program at Columbia GSAPP in collaboration with the Museum of Modern Art in New York.
Speakers included DONG Gong (Vector Architects), Wang Hui (URBANUS Architecture & Design), Zhang Ke (ZAO/standardarchitecture 标准营造), Xu Tiantian (DnA_Design and Architecture), Lu Wenyu (Amateur Architecture Studio), PEI Weiyi Chloe (Tsinghua Heritage Institute for Digitization), Philip F. Yuan (CAUP Tongii University, Archi-union Architects).
Discussions were moderated by Martino Stierli and Jorge Otero-Pailos.
Thursday, March 3rd from 6:00 PM-8:00 PM, New York EST / Friday, March 4th from 7:00 AM-9:00 AM China Standard Time
Welcome and introduction by Jorge Otero-Pailos
6:30 PM Introduction to the first panel by Martino Stierli
Presentations by Zhang Ke, XU Tiantian, and Philip F. Yuan
Discussion among panel participants moderated by Martino Stierli
Friday, March 4, 9:00 AM-12:00 PM, New York EST
(Friday, March 4, 10:00 PM-1:00 AM China Standard Time)
Welcome and introduction to the second panel by Jorge Otero-Pailos
Presentations by Dong Gong, Wang Hui, Lu Wenyu, and Pei Weiyi Chloe
Discussion among panel participants moderated by Jorge Otero-Pailos
11:55 AM – 12:00 PM
Preservation in China’s Future Panel 1
Preservation in China’s Future Panel 2
2022 Fitch Colloquium: Preservation in China’s Future: Day 1
The 2021 Fitch Colloquium The Art of Preservation: Engaging and Amplifying Underrepresented Heritage, co-sponsored by the Historic Preservation Program at Columbia University’s GSAPP and the National Trust for Historic Preservation, explored this intersection of art and preservation. The symposium convened BIPOC artists who integrate heritage – and all its sociopolitical implications today – into their works.
Speakers included Ifa Bayeza, Nona Faustine, Joel Garcia, David Hartt, Monèt Noelle Marshall, Karyn Olivier, Ada Pinkston, Paul Rucker, and Jenenne Whitfield.
Discussions were moderated by Marisa Brown, Justin Garrett Moore, and Brent Leggs.
12:00-12:15 PM Welcome & Introduction
Remarks by Jorge Otero-Pailos and Katherine Malone-France
12:15-1:45 pm Panel 1: Reclaiming
Introduction: Katherine Malone-France
Moderator: Brent Leggs
Panelists: Karyn Olivier, Monet Noelle Marshall, Ada Pinkston
This panel brings together artists whose projects have worked to reclaim existing spaces, previously preserved and imagined to be “authentic” sites of the past (historic homes, plantations, and public monuments), to highlight or re-insert institutionally marginalized narratives. Through their practices, these artists challenge the current dominant interpretative structures that privilege white histories and perspectives, instead honoring aspects of BIPOC presence, contributions, and perseverance at these sites.
2:00-3:30 pm Panel 2: Materializing
Introduction: Anna Gasha
Moderator: Justin Garret Moore
Panelists: Paul Rucker, Nona Faustine, David Hartt
This session will focus on how artists have given form to BIPOC histories through the cultural landscape writ large, where connections to the past have been built over and, as a result, are less overt. These artists reimagine and materialize their visions to resurface connections of present-day urban landscapes, everyday buildings, and streetscapes to articulate the connection between the past and ongoing issues facing communities of color today. Together, they illustrate the importance of and opportunities to recount and uplift BIPOC narratives, even when there are minimal physical remnants of those histories.
3:45-5:15pm Panel 3: Connecting
Introduction: Cole Akers
Moderator: Marisa Brown
Panelists: Joel Garcia, Ifa Bayeza, Jenenne Whitfield (Heidelberg Project)
While all art has and depends on an audience, just as all preservation projects design around stakeholders, the artists in this session place interacting with and providing opportunities for local communities of color at the forefront of their work. Art at historically charged sites thus work as a vehicle to encourage dialogue and collective action among and within these communities, in order to envision new futures while learning from the past.
Can digital technologies for capturing and reproducing reality deepen our understanding and enrich our experience of built heritage? Can these new technologies not only improve the daily practice of preservation but effectively inform a new paradigm of cultural heritage? The 2019 Fitch Colloquium explored the future of Historic Preservation through the lens of experimental approaches to digital documentation, analysis, interpretation, archiving, sharing, visualization and re-materialization of data. The symposium will examine cutting-edge processes involving the development and application of digital tools to projects of all scales, including high-resolution 3D scanning, gaming, computer-based visual pattern recognition, blockchain encryption, behavioral geo-tracking or interactive projection mapping among others. Internationally recognized experts from a varied range of disciplines will unpack their work and speculate on the conceptual changes that might emerge in response to the current upheaval in technology.
Speakers included David Gissen, Dr. Pilar Bosch Roig, Dr. Frédéric Kaplan, Dr. Hannah Lewi, Ian Bogost, Carlos Bayod, Arnaud Baernhoft, Carlos Benaïm, Yves Ubelmann, Emily L. Spratt, Chance Coughenour, Farzin Lotfi-Jam, and Caitlin Blanchfield.
Discussion were moderated by Erica Avrami, David Benjamin, and Jorge Otero-Pailos.
Panel 1: Record
Panel 2: Remaster
Panel 3: Replay
The act of moving historical buildings to new locations has been part and parcel of modern preservation practice since its origins in the early 19th century when fragments of some of the great monuments of ancient Mesopotamia and Egypt were relocated to Europe. Although the practice never quite stopped, 20th-century preservationists demoted it to a preservation solution of last resort. Today, various external pressures, from rising sea levels to economic pressure, are making preservationists reconsider the practice of ex-situ preservation.
As a result, a new critical engagement with preservation’s colonial history is emerging. Core concepts, such as the primacy of context, are being reconsidered. Fundamental practices such as the archiving of architectural fragments are being redefined, and new technologies are being developed. The 2017 Fitch Colloquium examines these and other emerging philosophical, social, technical and environmental questions raised by moving buildings.
Speakers included Can Bilsel, Maite Borjabad López-Pastor ‘16 MSCCCP, Mary Ellen Carroll, Mari Lending, Alexander Levi, Krister Lindstedt, Anthony Mazzo, Ryan Mendoza, Janet Parks ‘76 GSAS, Amanda Schachter '93 CC, Constance S. Silver '88 MSHP, Dean Sully, and Mabel O. Wilson '91 M.Arch.
Discussions were moderated by Erica Avrami, Jorge Otero-Pailos, and Andrew Dolkart.
Download the program schedule.
Panel 1: Urban Moves
Panel 2: Political Moves
Panel 3: Archival Moves
To what degree, we may ask, is preservation thinkable outside of militarization, and its prewar—war—postwar continuum? What is the range of acceptable preservation actions and non-actions in the face of today’s wars, when spectacles are made of the dynamiting of monuments, and the killing of preservationists? The 2016 Fitch Colloquium brings together some of the world’s leading experts in the spirit of dialogue and common pursuit of answers to these urgent questions.
Speakers included Tim Winter, Laurie Rush, Leila A. Amineddoleh, Lucia Allais, David Gissen, Julián Esteban-Chapapría, Zaki Aslan, Laura Kurgan, Zainab Bahrani, Nikolaus Hirsch, Mark Jarzombek, Rodney Harrison, Azra Akšamija, Clive Van Den Berg.
Amale Andraos provided the introduction and discussions were moderated by Jorge Otero-Pailos, Erica Avrami, William Raynolds, and Rosalind C. Morris.
Panel 1: Pre War
Panel 2: At War
Panel 3: Post War
TRANSFORMATIVE: PANEL 1
TRANSFORMATIVE: PANEL 2
TRANSFORMATIVE: PANEL 3