Critical Essays on Architecture
A stack of new books is now available from CBAC!
Make some room for A House Is Not Just a House by Tatiana Bilbao, The Ordinary: Recordings—with Rem Koolhaas, Denise Scott-Brown, Yoshiharu Tsukamoto, and Enrique Walker—The Empire Remains Shop by Cooking Sections, and Unhoused: Adorno and the Problem of Dwelling by Matt Waggoner.
And COMING SOON: A Year Without a Winter edited by Dehlia Hannah, A Moving Border: Alpine Cartographies of Climate Change from Studio Folder, and Preservation and the New Data Landscape edited by Erica Avrami.
Projects currently underway include:
Space Settlements (by Fred Scharmen) considers Rick Guidice and Don Davis’s paintings of Gerard O'Neill’s space settlements in light of architecture, science fiction, and representation.
Ways of Knowing Cities is based on the eponymous conference hosted by the Center for Spatial Research and explores urban epistemologies in an attempt to generate new critical perspectives on spatial research.
Signal. Image. Architecture. (by John May) aims to clarify the status of computational images in contemporary architectural thought and practice by showing what happens if the technical basis of architecture is examined very closely, if its technical terms and concepts are taken very seriously.
Columbia Books on Architecture and the City will be camped out in the Turbine Hall at the Tate Modern for Offprint London, from May 18 to 20. Stop by to see our newest publications alongside some old favorites.
The book fair will be open
May 18, 6-10pm
May 19, 12-8pm
and May 20, 12-6pm
Two new books from CBAC are launching all over the world this spring! Check them out wherever you are…
Unhoused: Adorno and the Problem of Dwelling by Matt Waggoner
April 27, Bradley Street Bicycle Co-op, New Haven, CT, 6pm
April 30, Book Culture, New York, NY, 7pm
The Empire Remains Shop by Cooking Sections
April 12, SVA MA Curatorial Practice, New York, NY 7pm
April 13, e-flux, New York, NY, 7pm
April 24, ArkDes, Stockholm, 6pm
May 14, The Showroom, London, 6.30pm
May 16, SALT Beyoğlu, Istanbul
June 11, University of the West Indies, Barbados, 5pm
June 22, Lafayette Anticipations, Paris
Excerpt
CBAC will be spending some time at the Center for Architecture this March, with presentations related to recent book projects.
On Tuesday, March 7, Amale Andraos will be presenting The Arab City: Architecture and Representation. And toward the end of the month, join Michael Maltzan, author of Social Transparency: Projects on Housing, will be discussing some of his housing projects on Wednesday, March 29.
Excerpt
Join us to discuss and preview Columbia in Manhattanville, a new book from Columbia Books on Architecture and the City. Amale Andraos, Reinhold Martin, and Eric Washington will be in conversation with Caitlin Blanchfield at 1pm on Nov 4, Ware Lounge, Avery Hall.
Home to the famed Cotton Club, Alexander Hamilton’s grange, the Manhattan Project, and a Studebaker factory, West Harlem has been an ever-transforming pocket of New York City. With the arrival of Columbia University’s Manhattanville expansion, it is now also a site of experimentation in the future of the twenty-first century university. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book documents the making of Manhattanville and critically engages the University’s own history of expansion.
The editors of five fresh publishing projects gathered at GSAPP on February 12, 2016, for a rousing conversation on the varying concerns, approaches, and stakes of contemporary architectural publications practice. Joining us were Anthony Acciavatti of Manifest; Shumi Bose and Jack Self of The Real Review; Alfie Koetter of Project; Jimenez Lai of the Treatise series; and Lily Wong of :.
A complete recording of the event is available here.
Excerpt
“I first became aware of Amaza Lee Meredith two or three years ago. I had no idea that there had been a black woman architect practicing in Virginia as early as the 1920s and ’30s. And to be a modernist within that context! I thought that was quite extraordinary...”
Mario Gooden speaks with Artforum about his recently-released Dark Space—which the magazine describes as “a subtle reading of a number of African American cultural institutions [and] a consideration of the politics they spatialize”—in an interview from December 2015.