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The Avery Review
Critical Essays on Architecture
Read Issue 58

The Avery Review stands with all those fighting, organizing, teaching, and writing for abolition—and, in architecture, with all those working against the white supremacy, settler colonialism, ableism, racial capitalism, and heteropatriarchy upheld in and by our field.

Brahim El Guabli unearths “Saharanism” at work in the Sonoran Desert after a visit to The Absolute Restoration of All Things; Jess Myers scrutinizes how cultural institutions encounter the limits of “representation” in two exhibitions centering Indigenous artists; Galen Pardee finds power in small design gestures in Reset: Towards a New Commons at the Center for Architecture; Asa Seresin considers the crisis of heterosexual ethics shaping the villa and its “outside” on Love Island; and Grace Sparapani diagnoses CIVA’s Sick Architecture, and the burden it places on the individual.

Brahim El Guabli_Saharanism in the Sonoran
The anti-monument as it stands at the Soledad-Dipolos mine. Courtesy of Fernández de Castro and Mendoza. From Brahim El Guabli’s “Saharanism in the Sonoran” in the Avery Review 58 (October 2022), link.
Aiga web
Winners of AIGA 50 Books | 50 Covers
Three of our recent titles are winners of AIGA Design’s 50 Books | 50 Covers awards of 2019. We want to extend a huge thanks and congratulations to: Scott Vander Zee, who won in the Cover and Book category for Space Settlements by Fred Scharmen; Glen Cummings who won in the Book category for The Revolution Will be Stopped Halfway by Jason Oddy; and Laura Coombs who won in the cover and book categories for SIGNAL. IMAGE. ARCHITECTURE. by John May. Photos courtesy of Scott Vander Zee, Sebastian Bach, and Laura Coombs.