José Aragüez, Adjunct Professor, Columbia GSAPP Stan Allen, Professor, Princeton University Amale Andraos, Dean, Columbia GSAPP Bernard Tschumi, Professor and Dean Emeritus, Columbia GSAPP
Moderated by Jorge Otero-Pailos, Professor and Director of Historic Preservation, Columbia GSAPP
Since 2014, José Aragüez has led the international project, “The Building”, which has yielded two symposia—at Columbia GSAPP and the Architectural Association in London—and a theory seminar at Cornell University. The results of this work have culminated in a new book from Lars Müller Publishers, which will be the topic of discussion at this event.
Over the last few decades, architectural history and theory have done a remarkable and necessary job of expanding their limits and audiences. The flip side of this expansion, however, has been a marked displacement of the object, and with it ultimately a certain neglect of architectural thinking proper. On the other end of the spectrum, discussions centered firmly round design process and outcome have often proved self-referential (e.g. those around “autonomy”) or restricted to the spheres of practice and studio teaching alone. This project constructs a bridge between these two tendencies by mobilizing a topic—“the building”—that typically belongs in the latter while seeking the former’s expansion. If the dominant approach driving architectural history and theory today concerns identifying novel subject matter, here instead the challenge involves taking up one of the discipline’s oldest themes and reconfiguring it through the intellectual tools now at our disposal.
Forty-three contributors based in Europe and the US, including deans and academic leaders, architects, historians, theorists, philosophers, and doctoral candidates, offer poignant explorations of key architectural structures conceived across Asia and the West from the late 1980s to the present. In exploring these structures through a number of questions both intra- and metadisciplinary—like sameness, value, iconography, objecthood, the urban subject, boredom, and digital technologies—this volume suggests ways in which buildings can trigger conceptual frameworks whose influence extends beyond architecture into other domains of knowledge and practice. Such domains include cultural and intellectual history, philosophy, literary theory, the city, the arts, and design at large.
By way of the building, therefore, this book illustrates the distinct capacity of architectural thinking to engender far-reaching concepts and, more generally, discourse—while the serendipitous encounters between diverse case studies from Europe, Asia, and the US unveil unexpected synergies and tensions that open up new research territories in design culture.
Stan Allen is an architect working in New York, George Dutton ’27 Professor of Architecture at Princeton University and Director of Princeton’s Center for Architecture, Urbanism and Infrastructure. From 2002 to 2012 he was Dean of the School of Architecture at Princeton. His architectural firm SAA/Stan Allen Architect has realized buildings and urban projects in the United States, South America and Asia. His work is published in Points + Lines: Diagrams and Projects for the City, (2001) and his essays in Practice: Architecture, Technique and Representation (2008). His most recent book is Landform Building: Architecture’s New Terrain, published in 2011. A new book of projects and essays will be published in March 2017.
Amale Andraos is the Dean of the Columbia University Graduate School of Architecture, Planning and Preservation. Andraos has taught at numerous universities including the Princeton University School of Architecture, the Harvard Graduate School of Design, the University of Pennsylvania Design School, and the American University in Beirut. Her publications include 49 Cities, a re-reading of 49 visionary plans through an ecological lens; Above the Pavement, the Farm! (Princeton Architectural Press, 2010); and The Arab City: Architecture and Representation (Columbia Books on Architecture and the City, 2016). Andraos is a co-founder of WORKac, a 35-person architectural firm based in New York that focuses on architectural projects which re-invent the relationship between urban and natural environments.
José Aragüez is Adjunct Professor of Architecture at Columbia University, and a PhD candidate in the History and Theory of Architecture at Princeton University. Aragüez holds a Diploma in Architecture and Urbanism from University of Granada, Spain, and an M.S. AAD degree and Graduate Certificate in Advanced Architectural Research from Columbia GSAPP. He previously worked for Antonio J. Torrecillas (Spain), MVRDV (Rotterdam), and Idom/ACXT (London). He has presented his work internationally across Europe, North America and in the Middle East, and has taught at Cornell, Princeton and the University of Granada.
Jorge Otero-Pailos is Professor and Director of Historic Preservation at GSAPP. His work has been commissioned by and exhibited at the 53rd Venice Art Biennial, Victoria and Albert Museum, Louis Vuitton Galerie Museum, and the Yerba Buena Center for the Arts. Otero-Pailos is the founder and editor of the journal Future Anterior, author of Architecture’s Historical Turn (2010) and contributor to scholarly journals and books including the Oxford Encyclopedia of Aesthetics and Rem Koolhaas’ Preservation Is Overtaking Us (2014). He has received awards from the Kress Foundation, Graham Foundation, and Canadian Center for Architecture, and in 2012 the UNESCO Eminent Professional Award. Otero-Pailos studied architecture at Cornell University, holds a Ph.D. from MIT, and was a founding faculty member of the School of Architecture at the Polytechnic University of Puerto Rico.
Bernard Tschumi is Professor and Dean Emeritus at Columbia GSAPP. He served as Dean from 1988 to 2003. In addition to Columbia, he has taught architecture at a range of institutions including the Architectural Association in London, Princeton University, and The Cooper Union in New York. His firm Bernard Tschumi Architects is known for groundbreaking designs that include the new Acropolis Museum; Le Fresnoy National Studio for the Contemporary Arts; the Vacheron-Constantin Headquarters; and The Richard E. Lindner Athletics Center at the University of Cincinnati. Major urban design projects include master plans in Beijing, Shenzhen, New York, Montreal, Chartres, Lausanne, and Santo Domingo, with a new city for 40,000 residents.