Caitlin Blanchfield is a Doctoral Candidate in Architecture at Columbia GSAPP, where she also received
an M.S. in Critical, Curatorial, and Conceptual Practices in Architecture. Caitlin is a
founding editor of the Avery Review, and her recent book Modern Management
Methods: Architecture, Historical Value, and the Electromagnetic Image, co-authored
with Farzin Lotfi-Jam, was published by Columbia Books on Architecture and the City
in 2019. Her writing has appeared in the Avery Review, Artforum, New Geographies, Log,
and elsewhere, and her work has been shown in the Oslo Architecture Triennale, the Venice
Architecture Biennale, Akademie Schloss Solitude, and The Shed.
She is currently working on her dissertation, which examines architectural and territorial
formations of settler colonialism in North America. Investigating federally-funded
scientific research installations constructed from the 1950s-1980s, the research
addresses how Cold War-era science participated in the settlement of landscapes
perceived as inhospitable, arguing that research infrastructures are an extension of a
settler colonial project to expropriate Indigenous lands through the epistemological and
material processes of knowledge production. Further, it examines how Indigenous
opposition to land occupations constitute exercises of self-determination and thus
refuse liberal forms of governance.