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Metabolic Materialities: Between the Animate and the Inanimate
Metabolic Materialities focuses on material experimentation to call into question the line between the animate and the inanimate. Metabolic processes serve as both metaphor and mechanism for the transformation of matter. The course methods borrow from and work through scientific discourses, industry-specific expertise, animal studies, queer theory and critical race theory. Artistic practice, understood broadly, offers case studies for making new material perspectives visible or sensible. Students will seek to understand material transformations as organized across ecological, economic, and political matrices: looking at material origins, sourcing and extraction, networks of exchange, and the impacts of these networks on human and non-human lifeworlds. The final works–understood as artworks–attempt to work through how artistic or architectural uses of materials mask or reveal these processes.
408 AVERY
W 11 AM - 1 PM
FULL SEMESTER
14165
| Course | Semester | Title | Student Work | Instructor | Syllabus | Requirements & Sequence | Location & Time | Session & Points | Call No. |
|---|---|---|---|---|---|---|---|---|---|
| A6911‑1 | Spring 2025 |
Metabolic Materialities: Between the Animate and the Inanimate
|
Michael Wang |
408 AVERY
W 11 AM - 1 PM
|
FULL SEMESTER
3 Points
|
11304 |