Spectacular Flying Machines examines the conflicting aesthetic dynamics between skyscape and landscape governed by the private aviation industry in Long Island’s East End. Flying, once associated with collective wonder and spectacular novelty of the bird’s-eye view offered by early flying machines such as the Montgolfier balloon, Lilienthal glider, Wright brothers aeroplane, and Zeppelin airship, has become a status symbol, convenience, and territorial segregation. The project speculates on an alternative future in which rigid airships and blimps replace private jets and helicopters, establishing a more symbiotic relationship between human, sky, and ground. Airships move more slowly, quietly, lower, and with reduced carbon emissions, producing a more visible and reciprocal relationship between sky, ground, and observer. As these early 20th-century flying machines make their return, the project proposes a distributed system of airship infrastructures and deployable architectures operating across multiple territories and scales throughout Long Island, inventing a new skyscape-landscape feedback loop.
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Spectacular Flying Machines
