A

AIA CES Credits

AV Office

Abstract Publication

Academic Affairs

Academic Calendar, Columbia University

Academic Calendar, GSAPP

Admissions Office

Advanced Standing Waiver Form

Alumni Board

Alumni Office

Architecture Studio Lottery

Assistantships

Avery Library

Avery Review

Avery Shorts

S

STEM Designation

Satisfactory Academic Progress

Scholarships

Skill Trails

Student Affairs

Student Awards

Student Conduct

Student Council (All Programs)

Student Financial Services

Student Health Services at Columbia

Student Organization Handbook

Student Organizations

Student Services Center

Student Services Online (SSOL)

Student Work Online

Studio Culture Policy

Studio Procedures

Summer Workshops

Support GSAPP

Close
This website uses cookies as well as similar tools and technologies to understand visitors' experiences. By continuing to use this website, you consent to Columbia University's usage of cookies and similar technologies, in accordance with the Columbia University Website Cookie Notice Group 6
Aad karanja mutegi margaretbozicevich su22 proposed longitudinal section 2

Ramble Cave the Abandoned Artifact

Ramble Cave stands in the center of the park map as a buried natural artifact that precedes the park and all the built artifacts around it. It was not part of Olmsted and Vaux’s design, until it was discovered by workers building Central Park in the 1850s.

After the turn of the century, based on newspaper accounts, the cave gained a sinister edge. According to news reports, there had been stories about fugitives, robberies, assaults, sexual harassment, and even suicides. All of this unsavory activity led park officials to seal the cave off to the public in 1934.

The design intervention seeks to turn the abandoned Artifact of the Cave into a Memorial and Exhibit space, through entry points and light sources. Three main entries will open up this piece of history to the public. As shown on the plan, visitors enter from the main path through a new arched opening, down the built stairs from the pathway above, and from the lake by boat, passing the fire pit. A center oculus at the top will allow sunlight into the gallery and rainwater to collect in a shallow pool below. The permanent Exhibit is minimal, to allow for future installations.