A

AIA CES Credits
AV Office
Abstract Publication
Academic Affairs
Academic Calendar, Columbia University
Academic Calendar, GSAPP
Admissions Office
Advanced Standing Waiver Form
Alumni Board
Alumni Office
Anti-Racism Curriculum Development Award
Architecture Studio Lottery
Assistantships
Avery Library
Avery Review
Avery Shorts

S

STEM Designation
Satisfactory Academic Progress
Scholarships
Skill Trails
Student Affairs
Student Awards
Student Conduct
Student Council (All Programs)
Student Financial Services
Student Health Services at Columbia
Student Organization Handbook
Student Organizations
Student Services Center
Student Services Online (SSOL)
Student Work Online
Studio Culture Policy
Studio Procedures
Summer Workshops
Support GSAPP
Close
This website uses cookies as well as similar tools and technologies to understand visitors' experiences. By continuing to use this website, you consent to Columbia University's usage of cookies and similar technologies, in accordance with the Columbia University Website Cookie Notice Group 6

Episode #18

23 June 2017

Robert Hewison in Conversation with Jorge Otero-Pailos

Jorge Otero-Pailos, director of Columbia GSAPP’s Historic Preservation Program, speaks with British cultural historian Robert Hewison during the Spring 2017 Semester, when Hewison taught the course “John Ruskin and the 19th Century” at Columbia GSAPP. They discuss Hewison’s life-long fascination and study of John Ruskin, teaching students to draw as means of exploring truth, and the influence of Ruskin’s thinking on the field of preservation in particular through his study of Venice. The conversation took place in advance of Hewison’s lecture “John Ruskin: The Argument of the Eye”, held at the School on February 16, 2017.

“Ruskin was an expert in interdisciplinarity, long before interdisciplinarity had been invented. To study Ruskin, you have to study literature, you have to understand art history, you also have to be prepared to think about geology, to think about botany; and you’ve got to think about economics, political economy and all those things. Because as Ruskin’s mind expanded away from just writing about art and architecture, the next step was to write about society, political economy, and so on.”
—Robert Hewison

Listen on iTunes.