Introduction
REPRESENTATION / COMPUTATION
Fall 2025
ADR I
Spring 2026
ADR II
Theju (Kiran) Nimmagadda: Clatsop County Lumber Harvests
This project looked at lumber harvests in Clatsop County from 1989-2022, documenting the year ove…
Heloise de Walque: Hemp: The Outlawed Fiber
This project traces the suppression and re-emergence of hemp as a material and an industry within…
Safi El-Gamal: An (In)Comprehensive Guide to Consuming Media on Genocide
This project seeks to understand the pervasive and often overwhelming layers of media on genocide…
Catherine Tang: Biomass Power Plant Industry in the U.S.
This project visualizes biomass power plants data in relation to the United States. The drawings …
Jonny Liboyi: The Bomb and the Bulldozer
The Interstate Highway System, signed into law in 1956 under the shadow of nuclear threat, restru…
Xinyi Zheng, Yuyang Cai: Paper Cycle: From Consumption to Regeneration
This project examines paper consumption in architectural education and proposes a speculative fut…
Daniel Jeoun: Vanishing Landscapes: The Pursuit of Glaciers
“Grounded in a personal experience of Exit Glacier in Kenai Fjords National Park, Alaska, this fi…
Sarah Salins: The Land and Its Hands
The Land and Its Hands is a research project looking at Moonsonal flooding and its effect on text…
Jason Zhou: Submerged Networks
This project examines global internet’s uneven resiliency to outages: who reconnects first when t…
Eric Ha: Data Energy Flow
This project explores whether moving data centers into orbit actually reduces their environmental…
Michael Kai Lok Chan: Mapping the Ghost: Emergence of Ghost Cities in Northern China
The project was built on the narrative of the ghost cities emergence in the People’s Republic of …
Shtile Shuaipaj: Making A Living
“"To be thrown into life is like a lottery: you have no control over where or what conditions you…
BioSphere III
Project by: James Haynes
Biosphere 1, Biosphere 2, Biosphere 3: Earth, the Arizona experiment,…
Spring 2026
GRAPHIC ARCHITECTURE PROJECT I: DESIGN AND TYPOGRAPHY
The Balcony Is
Project by: Virginia Italia (@virginia.italia)
The Balcony is is an ongoing visual essay inves…
Renaming, Refunctioning, Reclaiming
Project by: Elise Cloutier (@eliseclue)
Reformatting of an essay written for Reinhold Martin’s…
Spring 2026
MULTI GRAPHICS & REPRESENTATION
AGGREGATE
Project by: Aljoharah Althunayan (@jayturki_)
AGGREGATE is a typeface built through accumulati…
Remains
Project by: Georgios Koltiris (@george.koltiris)
This work is a three-poster series. We share …
SUPER RETRO BUBBLEGUM MACHINE
Project by: Violeta Mastronardi (@vio.le)
“Super Retro Bubblegum Machine” is a bold display ty…
STITCHY TEXTURE
Project by: Manuela Hurtado (@mahusa)
Through tightly knitted patterns, curiosity begins to …
Mimesis of Myth
Project by: Raven Huang (@rh_ruiqihuang)
In designing this poster, I approached the familiar M…
Discograph
Project by: Nora Kelly (@nora.kelly_)
Discograph is a typeface that feels like a party: it evo…
Spring 2026
WASTE/WORKS
Camryn Locascio: Architecture of Forgetting
What happens in the moment something leaves use but does not yet become waste? This project consi…
Ruchitha Ravilla: Paper Skins
Paper Skins starts with a simple act: soaking newspaper until the stories dissolve. What remains …
Beam Napat Leephanuwong: How’s the snow over there?
“How do we define a “heavy” snowfall? It is typically measured in inches, but numbers alone canno…
re:Purposeful
“Like the spotless surface of the kitchen counter, domestic labor goes unnoticed.
re:Purposefu…
Aidan Galloway, Steven Lin, Jessica Smith: Brick Debris, Dryer Lint, and Waste Paper: Modeling the Historic, Subversively
“What started as three independent materially subversive studies in brick debris, dryer lint, and…
Nabil Moufid: Pulling The Thread
“This web application explores how digital communication has evolved the way we connect and use l…