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    A4479 The Culture of Glass

    History/Theory Seminar
    Joan Ockman

    A seminar exploring the multiple symbolic and technical meanings of glass in modernist and postmodernist culture from the mid-nineteenth century to the present, drawing on literary and artist ic as well as architectural sources. An in-class analysis and a term design project are required.

    TOPICS
    Introduction
    The Crystal Palace & the Great Exhibition, 1851, London: incomparable and fairylike spectacle
    Analysis: Joseph Paxton, Crystal Palace
    The late nineteenth century arcades as spirit of capitalism
    Analysis: Typology of the arcade building
    Out of the mud hut: from Cubo-Futurism to Constructivism in Russia
    Analyses: Vesnin brothers, Pravda building (1924), Mostorg department store (1925)
    Ivan Leonidov, Lenin Institute (1927)
    Iakov Chernikov, architectural fantasies (1929-33)
    The crystal cathedral: from the Glass Chain to the Bauhaus in Germany
    Analyses: Bruno Taut, Glass Pavilion, Cologne (1914)
    Walter Gropius, Fagus Factory (1910-11), Bauhaus proclamation (1919), Bauhaus, Dessau (1925-26)
    Mies van der Rohe s almost nothing
    Analyses: Mies van der Rohe, glass skyscraper projects (1919-22), Barcelona Pavilion (1929)
    Glass and the new architecture : Licht, Luft, Oeffnung
    Analyses: Le Corbusier, villas and projects of the 1920s
    Richard Neutra, Health House (1928)
    Electri-City: architecture and advertising in the metropolis
    Analyses: Erich Mendelsohn, department stores (1926-29)
    Oscar Nitschke, Maison de la Publicite (1935-36)
    Bachelor machines
    Analyses: Marcel Duchamp, The Large Glass (1915-23)
    Pierre Chareau, Maison de Verre (1927-32)
    Diller + Scofidio, A Delay in Glass (1987)
    Postwar abstraction: aesthetics and technology of the glass plane
    Analysis: SOM et al., curtain wall buildings of the 1950s
    Mies redux: people in glass houses ...
    Analyses: Mies van der Rohe, Farnsworth house (1945-50)
    Philip Johnson, Glass House in New Canaan (1949)
    Postmodernism the mirror stage
    Analyses: Norman Foster, Willis Faber office building (1975)
    Philip Johnson & John Burgee, Crystal Cathedral, Garden Grove, California (1980)
    Conclusion